I have performed and recorded with such artists as Bill Pinckney and the Original Drifters, General Johnson and the Chairmen, Pat Patrick Band, Phillip Stegner, Detroit Memphis Experience, Maurice Williams and the Zodiacs, Crystal Bernard, Maria Howell, Bonnie Bartlett, Bekka Bramlett, Shelley Fairchild, The David Humphries Orchestra, Bill Evans, Billy Ward, Arthur Smith, Johnny Neel, Tommy Polk, Roy Agee, Steve Patrick, Doug Moffet, Chris Shinn, Larry Henley, Anthony Smith, Bobby Ogden, and many more.
I have also performed vocal tracks for Pocket Songs/MMO, Stellar, All-star Karaoke and Sound Choice Karaoke for many years, and continue to perform tracks for them to date, as well as jingles, demos, and music used in television and movies, most recently Season 8 of Desperate Housewives and the movie Shadow Dancer, starring Clive Owen and Gillian Andersen as well as FAB FIVE: The Texas Cheerleader Scandal opening credits.
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Well, I guess this is an "aw shucks" moment. Thank you Darryl. It was so much fun to record that music. I guess I don't have to tell you that you were there much of the time. Much love to the Nashville community, my inspiration to do this project.
"The measure of a musician is their body of work. It's what seperates the men from the boys.
Credentials --- the company you keep. It takes time, opportunity, and in the end-real talent do such a thing. You have to put in many thousands of hours--you can't fake the funk.
What makes a body of work? Twenty years with both The Temptations and The Four Tops. Like a rock.
Having worked with a list of artists so deep, (Google it) from so many genres, that suddenly it hits you--TIM GORDON is one of those players--one of the clutch, go to saxophonists in contemporary music.
Dedicated to his art, Tim is a connoisseur-level musician. His dedication is apparent when you hear his sound. And suddenly it hits you again--you've probably heard him before, maybe even seen him along your musical journey.
SOULFUL, hip-smart, and technically brilliant. What else could you ask of a saxophone player?
Encyclopedic range, comfort with any kind of music, and besides all that? He's a real nice guy.
You're in for a real treat here. Tim Gordon has finally made a record of his own.
Music Educators Journal, Volume 107, Issue 4, Page 14-20, June 2021. <br/>In this article, I propose some ways that music educators might become anti-racist. I explore the ways that Whiteness manifests in music education and subsequently examine actions we might take to resist this Whiteness. Ultimately, I suggest anti-racism as a way forward for music education. I delineate some of the ways that Whiteness operates in music education, not to discourage educators but rather to encourage us to notice the way Whiteness pervades our field.