John hunter Phillips
  • 72, Male
  • Kaneohe, HI
  • United States
  • Kaneohe, Hawaii
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May 16, 2013
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May 16, 2013
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"You played on my CDs " Diamonds On the Beach" and " It's About Time". Tim, YOU are THE BEST !! Aloha from Hawaii !! john hunter phillips"
May 16, 2013
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Profile Information

What Is Your Location?
Kaneohe, Hawaii
How did you hear about Tim Gordon?
Friend
What is your afiliation to the music industry?
Musical Artist
Tell Us Alittle About Your Background...
Tim has played sax on many of my reccordings. He is the best !!
What instrument do you play?
vocalist
Are you interested in having Tim Gordon perform at your venue, recording session, church or special event?
Yes
Are you a student looking to be contacted for music lessons by Tim Gordon?
No
What is your website address?
www.facebook.com/johnhunterphillips
I agree that I will not spam this site with any inappropriate posts for that will be cause for suspension.
Yes

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At 6:51am on August 25, 2020, Anna Kokou said…

Hello .

I am Mrs. Anna Kokou, an aging widow suffering from long time illness (Esophageal Cancer). I have some important information (charity proposal) for you, May God continue to bless you, Please reply (annakokou80@gmail.com) for more details.

your sister in the Lord,
Mrs. Anna Kokou.

At 2:01pm on March 23, 2013, Tim Gordon said…

Hi John, aloha. Are you still in Hawaii? I have a really good friend who might be moving home to the big island. His name is Ron Lee, former drummer for Don Ho. He's is a great player, a great guy and a newly ordained minister. Hope to hear from you soon man, Tim

 
 
 

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Industry Veteran Ricky Schultz says...

"The measure of a musician is their body of work.  It's what seperates the men from the boys.​

Credentials --- the company you keep. It takes time, opportunity, and in the end-real talent do such a thing. You have to put in many thousands of hours--you can't fake the funk.

What makes a body of work? Twenty years with both The Temptations and The Four Tops. Like a rock.

Having worked with a list of artists so deep, (Google it) from so many genres, that suddenly it hits you--TIM GORDON is one of those players--one of the clutch, go to saxophonists in contemporary music.

Dedicated to his art, Tim is a connoisseur-level musician. His dedication is apparent when you hear his sound. And suddenly it hits you again--you've probably heard him before, maybe even seen him along your musical journey.

SOULFUL, hip-smart, and technically brilliant. What else could you ask of a saxophone player?

Encyclopedic range, comfort with any kind of music, and besides all that? He's a real nice guy.


You're in for a real treat here. Tim Gordon has finally made a record of his own.

Enjoy,
Ricky Schultz

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A New Definition of Music Literacy: What, Why, and How?

Music Educators Journal, Volume 107, Issue 3, Page 15-21, March 2021. <br/>The purpose of this article is to articulate clear definitions of music literacy and text, explain what impact they may have on music education generally, and describe their application to day-to-day teaching. The broadened definitions are intended to unite music professionals’ understanding of music literacy and help them more clearly approach music literacy instruction while simultaneously fulfilling curricular expectations of administrators and other stakeholders. Specific benefits of the new definitions include (1) aiding conversations between music teachers and literacy administrators, (2) providing clarity in the examination of broad issues and general approaches in music education, and (3) enhancing clarity and effectiveness in day-to-day instructional planning and delivery.

Creating Virtual Ensembles: Common Approaches from Research and Practice

Music Educators Journal, Volume 107, Issue 3, Page 38-46, March 2021. <br/>A virtual ensemble is a digital musical product that uses multiple recordings edited together to form a musical ensemble. Creating virtual ensembles can be a way for music educators to engage students through online music-making. This article presents eight steps for creating virtual ensembles in music education courses and classrooms. The steps are (1) identifying objectives and desired outcomes, (2) selecting repertoire, (3) developing learning resources, (4) creating an anchor for synchronizing, (5) choosing a recording method, (6) setting up a collection platform, (7) editing in postproduction, and (8) distributing the product. As online music production becomes more prevalent, projects like virtual ensembles can provide creative and exciting experiences for music teachers and students, whether produced in the classroom or through remote means on the Internet.

Believe: Music—the Sound of My Heart

Music Educators Journal, Volume 107, Issue 3, Page 10-10, March 2021. <br/>

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